Rob was kind enough to bring a system (see below) to my home for me (and Merrill, and others in my local audiophile circle) to audition I was so impressed I pulled the trigger. I interviewed Rob a few years ago and while I had some familiarity with his products, I had no idea of their flexibility and broad utility. Rob suggested what proved to be an elegant solution using his Pure Vinyl (or Pure Music) software. Merrill also owns the Sanders Sound speakers, and mentioned to Ron Robinson of Channel D audio our interest in replacing the Behringer. However, credit for the path I ultimately took goes to Merrill Wettasinghe of Merrill Audio, whose Veritas monobock amplifiers are my current reference ( for a recent review by my fellow dagogoan Ray Seda). I also tried another, more expensive digital crossover, in the hope that it would have better sonics than the Behringer (it did). I first learned there are a number of commercial enterprises (all quite small, I would imagine) that modify the Behringer, though I never got so far as to actually try any of them. In an effort to improve on this, I explored a number of options. In my recent review of the Sanders Sound Model 10c speakers (interested readers may also want to read my interview with Roger Sanders ), I mentioned that the one perceived weakness was a mechanical quality to the sound that both I, and visitors to my listening room, attributed to the Behringer active cross-over that is included with the speakers.
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